Old paintings made new, or more like new paintings made old. Suzanne Clifford-Clark is a local painter who is inspired to do just that; bring that antique feeling into her works of art. Her motivation comes from traditional paintings and she uses the same age-old methods and tools to create art that will give you a feeling of nostalgia.
Suzanne has loved art since she was a child, and quickly became enthused in creating her own works. With a family that frequently moved, Suzanne took up the portable habit of drawing and it quickly became an activity that she enjoyed. Soon drawing escalated to painting, and a wonderful relationship was shaped.
We’re proud to showcase 16 of Suzanne’s paintings in our showrooms, all of which are available for sale. Suzanne is a noted equestrian artist, inspired by the gracefulness and muscles of a horse’s large form. When she paints horses, Suzanne tries to portray the individuality of these animals. She doesn’t remember exactly when she first painted a horse, but she is continually trying to improve by not only studying photographs of them, but also by spending time with her own horse. She studies their hair growth, the way their bodies move, even the personalities that many of them convey.
Suzanne enjoys working with paint; from the way you can apply it to a canvas with broad strokes and thick lines or loosely and light. She’s inspired by colors, the ever changing way you can mix two colors to make another, the different tones and brightness. However, despite the obvious love expressed for such art, painting is a skill that Suzanne sometimes has a love/hate relationship with. When you have such endless possibilities, she does occasionally find herself frustrated with the inability to find that perfect color effect, the details she’s looking for, or even the tone of the piece itself. Painting never leaves her bored, but it does require a couple steps back to reevaluate the art being expressed.
To create such a beautiful piece, Suzanne starts by stretching a fabric over stretcher bars and tightly securing it. She then paints the first layer of her painting, a layer that is called imprimatura. This layer consists of a single color that covers the whole surface, therefore making it easier to estimate the value of a stroke on a solid background.
The next step is emphasizing the subject of her piece with either charcoal or thinned paint. Suzanne has to wait for this layer to dry before continuing onto the next layer, which is painting from the general to the specific. This layer usually consists of two or three layers, both of which have to dry before she continues on. This step is when the details begin to form.
Suzanne’s work is a slow and deliberate process, which pulls from years of painting and centuries of tradition. She has accomplished the goal of creating the traditional and now has several paintings to prove such skill. If you want to see her beautiful paintings or contact Suzanne, you can visit her website or you can visit our Rockville, Alexandria, or Fairfax showrooms to see these gorgeous works in person!