We just had a nice little mention on Jeri Dansky’s blog site. She was discussing various pop up TV cabinets, and seems to like ours quite a bit. What is shown is a solid Mahogany Glasgow credenza with art glass doors we made in house. Greg Gloor is the designer of this cabinet, which has been quite popular.
There are various ways to hide TV’s. I own a Library Entertainment Center, which Erika and I just love. The bookcases slide to the left and right over the rear bookcases to reveal the TV. Check it out on the web site – www.hardwoodartisans.com in the entertainment center area.
So, I have been doing a lot of work from my home lately, specifically AutoCAD drawings. It’s nice to be able to concentrate, and the complexity of the work dictates a lot of focus on the overall project. I work at least twice as fast at home as when I’m in the office. There is a lot to be said about working in some peace and quiet.
The other night I was working on a drawing I needed to get done, and had spent about 45 minutes to an hour working feverishly on it. I was almost finished, when my cat, Woody (what else would I name him?) jumped up on the table and laid down on the keyboard. When I tried to extricate him from my workspace, he hit the power button on the laptop. Everything lost. My boy, my boy. I love him, but just wanted to kill him at that point.
I met a very interesting person today by the name of Jennifer Sergent. She is a reporter for Washington Spaces Magazine, one of the magazines we advertise in.
We found some common ground in that she and I went to the same high school – Langley – though several (read many) years apart. Also, she has a blog – washingtonspaces.com/blog like I do.
I found the time with her refreshing, like talking with an old friend. It’s nice to meet someone new who has shared similar experiences at some other time. It was as if I had known her for years. Have you ever had that happen to you?
When I said in my last entry that I am a master craftsman, I did not expect people to take notice so quickly! If you’re looking for some quality reading material, let me suggest a pair of articles featured in the DC Examiner and the Baltimore Examiner.
The first, in the DC Examiner, is an interview I did about our furniture donation initiative with ACTS, which I discussed in a previous entry. Sorry if it sounds choppy… I only had three minutes to interview!
The second, in the Baltimore Examiner, quotes Alison–that thirty-something Marketing Director of ours–about our Murphy and wall beds. Speaking of which, last weekend’s Post ad featured the Library Wall Bed. I think they make excellent guest beds… nothing beats a real mattress for comfort, not to mention the inherent space-saving features of being able to fold a bed into a wall.
We typically sell a lot of these beds around the holidays to families expecting out-of-town visitors, and I have to imagine other furniture retailers experience a similar phenomenon. I’ve also seen some pretty innovative guest solutions out there, though in my house we just put rocks under the mattress to get guests to leave early. In your house, where do your guests go?
I like to think of myself as being good at what I do. I work for a company that has been in business for 32 years, and I’ve been a part of it for the last 22. And yet every day I learn something new as a woodworker. In this field, it is very hard to be a “know-it-all,” no matter how hard I may try. So, as you can see, today when I make a piece of furniture for a customer, there are many things–collected over my 25 years as a woodworker–that I take into account. You might even consider me an expert furniture maker… even a master craftsman.
My extremely talented Marketing Director recently coerced me into writing down some of my sage knowledge in the form of an article, which we submitted to DesignLine magazine. Today the mail arrived, and with it came the magazine, with my published article on pages 16 – 17! “The new phone book’s here! The new phone book’s here! I’m somebody now!”
So, what do you think? Did you learn something? Bonus points if you can guess which movie I’ve quoted.
Wow! We’ve received a lot of interest in a product we’ve not even debuted yet… our Linnaea dining set! We’ve already drawn up plans for a table, and we’re working on the chairs as I type. Here, you can see two of the table drawings. It’ll be at least 4 weeks until we even have a picture of this never-before-seen item!
However, we do have one Linnaea dining item you CAN see now: the Linnaea credenza. This great piece is diminutive in size and works great as a small server or even as a living room cabinet which stylistically matches other items in the Linnaea Collection.
Do you have any other ideas for items we ought to add to the Linnaea Collection? If so, please leave a comment below!
Jason and me with “the slider” cabinet. The top doors slide to the center or the far left and right to reveal a jewelry drawer in the top middle. The drawer is on metal glides for full extension and is fully lined with a complete jewelry organizer. The drawers are curved fronts, like the case and top. These pieces should be in the showroom within two weeks.
I’m working on the pedestals for the Linnaea cabinets. We have been making decisions on the size of it, and it has been growing progressively. Seems like each time we work with it, the pedestal grows about 1/2″.
The pedestal has legs that are set at angles to the case. The legs are actually 5-sided, with a beveled interior area for the skirts to connect. They are 8″ high, and step out about 3 1/2″ in two directions. This is fairly involved as far as pedestals go.
The concern over structure here is pretty big. Many people are not kind to their furnishings, myself included, and I have a genuine concern of these legs getting sheared off from the piece, getting dragged, hit with large objects, dropped, etc. I’m always thinking of the worst case scenario when I design and build furniture. We originally were going to use a metal corner bracket to help support the joint. We found that the screw needed to provide the majority of the strength would need to run through the intersection of the two skirts, and would actually diminish the joint’s integrity by possibly fracturing the glued joint. If you have ever run a screw into a piece of wood and had the wood split, imagine running a screw into the intersection of three pieces of wood. Hard to imagine a good outcome here.
We decided that best approach to the problem was to do what they would have done in 1960, a good old-fashioned corner block that was glued and screwed to the skirts. You can see the difference between the metal corner bracket and the corner block in the photo. The effect is that the skirts become much more rigid, and thereby don’t allow any flex in the leg joint. The real test will be when I stand on top of the chest to “stress test” the pedestal. I’ll keep you posted.
I was asked to write about wood, or more specifically, the way wood is cut. This opens up a whole bunch of doors, but for the purposes of this blog, we’re only talking about the way our lumber is cut for our uses.
There is a much better description of the way wood is cut in an article I was reading, so rather than bore you with my description, check it out. I will explain the basics here.
Plain sawn lumber is just as it sounds. It is cut flatly from the log, and is the most common way wood is cut. The net effect is a “cathedral” type grain pattern that is very pleasing aesthetically. Our cherry, red oak, birch, maple, walnut, and mahogany are all plain sawn.
Quarter sawn lumber is wood that has been taken from the tree very differently. The tree is first quartered, or cut into four sections. The boards are then taken from the tree in one of several different ways. The net effect is a straight grain, often times creating interesting patterns known as ray flecks.
There are two basic reasons why wood would be quartered, either for stability or looks. When you quarter lumber, it becomes more stable than plain sawn wood. It will expand and contract primarily the thickness of the board, not the width like plain sawn. The look of quartered lumber, or specifically the ray flecks, is the desired effect. It gives the lumber depth and interest in a different way.
The reason we carry quarter sawn white oak and plain sawn red oak is largely based on history. Quartered white oak would have been the wood of choice during the arts and crafts movement, the original one, a hundred years ago. As a result, many of our customers own antiques that they want to match or compliment in some way, and the quartered white oak just foots the bill. Red oak has traditionally been plain sawn with large, dramatic cathedrals in the grain patterns, so much like the expectations surrounding white oak, there are similar demands for plain sawn red oak instead of quartered.
You can get any log quartered if you like. I have worked with quartered cherry, maple, sycamore, red oak, white oak, and several others. Some types of wood have more drama in them when they are quartered than some others.
What is the best wood for you? I get asked this a lot. I get asked a lot of questions. What most people mean is “This is how I live, how many kids I have, how often I move, and what I want the piece for. Which wood is best here?” The answer is always the same within the varieties of the hardwoods we offer, the durability, longevity, soundness of each wood is comparable, so……………..the best wood for you is the one you like, the one that makes you happy. This sounds too easy!
Friday was the usual walking around for 8 or 9 hours, and then meeting in the lounge to discuss the day and the next plan of action. I specifically went to the third building of three, the hardware building, looking for very specific things like leveling feet and lighting and knobs and touch-up kits. Not all real exciting stuff, but hard to find, even for us.
I was so excited to find exactly what I had come for – a new lighting supplier. The guy makes solid metal casings with the new LED lamps, and will custom-make the wiring harnesses to our specifications!! These lamps were really, really nice stuff– expensive, but nice. Best of all, it is all made in the US, in Miami, Florida no less. So, after finding this guy and spending an hour with him, I felt like I could just enjoy the show, which I did.
Another thing that I pursued was finding college contacts. At the IWF, they will often times have student furniture on display. Assorted colleges will have booths set up. This is sort of a recruiting practice. I met up with the Virginia Tech Wood program. We sponsored a student this summer from Tech, and it worked out well. He was a delight to have here. My hope is I can find the “next generation” craftsman to take over this thing in 20 years.
Friday night was a surreal adventure. I found myself at a Mai Tai restaurant with my partners and I being served smoked steak. And yes, back to the cot roll-away bed! Saturday was a follow up day, which it always has been. I took all my partners to show them the lighting find. We all agreed this was the thing……..winner, winner, chicken dinner! I was shown three specific machines that they were considering, and an AutoCAD based drawing program that we are considering implementing on the sales floors.
Out of time and out of energy, back to the airport we go. During our lunch/dinner, as a group we sorted out and designed a new dining chair to go with the new Linnaea collection. There is something bigger and almost magical about the trips my partners and I have taken over the years. Call it synergy, call it cohesiveness, I call it the cumulative brain power of 150 years of experience. This is what ultimately makes these trips worth doing for me.